AUDITIONS for NUNSENSE the Musical

AUDITIONS for NUNSENSE the Musical by Dan Goggin

Please read this entire notice before signing up

Director- Elizabeth Perkins, Music Director- Eileen Kuo, Choregrapher- Christi Hall, Stage Manager- Marya Paolillo

AUDITIONS Saturday May 31st 10am-1pm 
Callbacks by invitation Sunday June 1st 6pm 

SHOW DATES: September 12th – 28th 
Showtimes Fri/Sat 7:30 & Sun 2:30
Please keep Thursdays available for possible added shows

WHAT TO PREPARE:
-Please bring headshot (or recent, clear photo) 
-Please print and fill out this AUDITION FORM & this CONFLICT CALENDAR if possible (Rehearsals will begin as early as July 14th with some consideration given to conflicts)
-There are not scripts for perusal, but there is an official recording HERE

-Audition Requirements:

  • Vocal: 32 bars of a musical theatre song in the style of the show. Bring sheet music; accompanist provided.
  • Monologue: Prepare a 1-minute comedic monologue.
  • Short Joke: Come ready to tell a one-liner or short joke as part of your audition. (Think “nuns on stage” funny!)
  • Dance: Wear comfortable shoes for a brief movement combo if called back.
    If auditioning for Robert Anne or Mary Leo, you must demonstrate relevant dance skills in your initial audition.

ABOUT THE SHOW: The Little Sisters of Hoboken began as a greeting card series and quickly became one of the most prolific community theatre shows and the 2nd longest running off Broadway production of all time with well over 3000 performances. This habit-forming show has gained such popularity since it’s inception in 1985 that has spawned 6 sequels, 2 television adaptations and is translated into 26 languages around the world! GCT has even produced successful runs of the show in 1993 and 2019 along with 2 of it’s sequels over the years. This riotous show is set during a fundraiser to raise money in order to bury sisters accidently poisoned by the convent cook, Sister Julia (Child of God) and follows the silly antics and sweet reflections of the remaining sisters.

ROLES AVAILABLE
All roles are open. Performers of all races, ethnicities, gender identities, and backgrounds are encouraged to audition.

  • Sister Mary Regina (Mother Superior) – Mezzo. A commanding stage presence with strong comedic instincts. A former circus performer with a flair for the dramatic.
    Dance: Minimal. Strong physical comedy skills required.
  • Sister Mary Hubert – Alto/mezzo with gospel belt. Calm and dignified until she brings the house down in the show’s final number.
    Dance: Moderate. Strong mover needed for stylized choreography.
  • Sister Robert Anne – Mezzo/alto with powerful belt and comedic edge. Streetwise and bold, always ready to steal the spotlight.
    Dance: Tap required. Must demonstrate tap skills in the initial audition. Bring tap shoes. More will be evaluated at callbacks.
  • Sister Mary Amnesia – Soprano with a legit sound. Innocent, forgetful, and utterly unpredictable—with a surprise up her sleeve.
    Dance: Light choreography. Strong sense of rhythm and comic timing.
  • Sister Mary Leo – Soprano or mezzo. A novice nun who dreams of being a ballerina. Earnest and endearing.
    Dance: Must dance en pointe. Demonstration required at initial audition. Bring pointe shoes. Additional choreography at callbacks.

Please review the available slots in this SIGN UP GENIUS and click on the button to sign up.

If you have questions or will not be available in the offered audition time email Engage@gctcomeplay.org Thank you!